Al-Kulayni, Muhammad ibn Ya’qub. (1987). Al-Kafi. Tehran: Dar al-Kutub al-Islamiyyah.
Borhan, Mohammad Hosayn b. Khalaf. (2001). Farhang-e Farsi-e Borhan-e Qate’. Tehran: Nima.
Burckhardt, Titus. (1990). Sacred Art: Principles and Methods. Translated by Jalal Sattari. Tehran: Soroush.
Chevalier, Jean & Gheerbrant, Alain. (1997). A Dictionary of Symbols. Translated by Soodabeh Fazaeli. Tehran: Jeyhoon.
Cirlot, Juan Eduardo. (2010). A Dictionary of Symbols. Translated by Mehringiz Ouhadi. Tehran: Dastan.
Cooper, J.C. (2000). An Illustrated Encyclopedia of Traditional Symbols. Translated by Malihe Karbasians. Tehran: Farshad.
Dadvar, Abolqasem & Mansouri, Elham. (2006). Dar-amadi bar Osture-ha va Namad-ha-ye Iran va Hend dar Ahd-e Bastan. Tehran: Al-Zahra University Press & Kelkar Publications.
Dehkhoda, Ali Akbar. (2011). Lughatnameh. Tehran: University of Tehran Press.
Eghtedari, Ahmad. (1973). Sayeh-ye Simorgh: Dastanha-ye Mantiq al-Tayr-e Farid al-Din Attar-e Nishaburi. Tehran: Qatreh.
Ehtesham Kavanian, Mohammad. (1975). Shams al-Shumus ya Anis al-Nufus. Mashhad: Be Nashr.
Hosseini, Seyed Hashem. (2015). Animal Motifs in the Tilework Decorations of the Atiq Courtyard of the Holy Razavi Sanctuary. National Conference on the Role of Khorasan in the Flourishing of Islamic Art.
Ibn Babawayh, Muhammad ibn Ali. (1993). Man La Yahduruhu al-Faqih. Qom: Daftar Intisharat Wabasteh be Jami’ah al-Mudarrisin.
Irani Arbaati, Ghazaleh & Khazaei, Mohammad. (2017). Animal Symbols of Farr in Sassanian Art. Negareh, 12(43), 18-29.
Iranian Students’ News Agency (ISNA) Website. (2014).
Jafari, Abolqasem. (2003). Hekayat-e Simorgh / Gozari bar Dastan-e Simorgh dar Farhang-e Falsafi va Adabi-e Iran. Zemmeh-ye Khordnameh-ye Hamshahri, No. 3.
Khandaghi, Javad Amin & Mohammadzadeh Mazinan, Ebrahim. (2022). The Requisites of Civilization-Making Religious Art Based on Narrations from ‘Uyun Akhbar al-Rida (A.S.). Tarikh-e Farhang va Tamaddon-e Eslami, 13(46), 27-48.
Khazaei, Mohammad. (2007). Interpretation of the Symbolic Motifs of the Peacock and Simurgh in Safavid Era Buildings. Honar-ha-ye Tajassomi, (26), 24-27.
Khazaei, Mohammad. (2007). The Symbolic Role of the Peacock in Iranian Decorative Arts. Ketab-e Mah (Honar), (111-112), 6-12.
Khorasidi, Hadi. (2017). Tilework in the Holy Razavi Sanctuary. Mashhad: Be Nashr.
Khosravi Far, Shahla & Cheitsazan, Amir Hossein. (2011). A Study of the Symbol and Motif of Birds in Carpets of the Iran Carpet Museum. Pazhuhesh-e Honar, 2(1), 29-43.
Khosravi, Elaheh. (2012). A Study of Bird Motifs and Forms in Ancient Iranian Art. Naqsh-mayeh, 5(11), 69-84.
Machiani, Hosseinali. (2002). Amuzesh-e Gol o Morgh. Tehran: Kelkar.
Masdiqian, Vahideh. (2005). Naqsh o Rang dar Masjed-e Goharshad. Mashhad: Aban Book Publications.
Mashkoor, Mohammad Javad. (1974). Mantiq al-Tayr. Tehran: Tehran Bookstore.
Moghaddam, Bahareh. (2012). Naqsh o Rang dar Kashi-ha-ye Dore-ye Safavi Haram-e Motahhar-e Imam Reza (A.S.) va Moqayeseh-ye an ba Bana-ha-ye Ham-dore dar Isfahan. Master’s Thesis. Islamic Azad University. Supervisor: Seyed Ali-Asghar Mir Fattah.
Moghaddam, Bahareh. (2014). Barresi-ye Naghsh-e Kashi-ha-ye Qajar, Muzeh Astan Quds Razavi, Mashhad.
Rahimzadeh, Gholamhossein. (2015). The History of the Development of Architectural Decorations in Khorasan and Transoxiana. Doctoral Dissertation. Tajik National University. Supervisor: Professor Rustam Muqim-Aff.
Sadeghiniya, Sara & Pouzesh, Sara. (2016). An Interpretive and Symbolic Study of the Peacock Motif in Iranian Arts. Adabiyat-e Namayeshi va Honar-ha-ye Tajassomi, 1(2), 53-62.
Sadraei, Roghayeh. (2015). Study and Analysis of the Manifestation of the Simurgh in Mystical Texts, Focusing on Attar’s Mantiq al-Tayr and Rumi’s Masnavi. Faslname-ye Takhasosi-ye Tahlii va Naqd-e Motun-e Zaban va Adabiyat-e Farsi, 7(26), 179-199.
Sahragard, Mehdi. (2013). Shahkar-ha-ye Honari dar Astan Quds Razavi; Katibe-ha-ye Masjed-e Goharshad. Translated by Shadi Ghafourian & Mirmohammad Khadem-Nabi. Mashhad: Astan Quds Razavi.
Servatian, Behrouz. (2005). Sharh-e Raz-e Mantiq al-Tayr-e Attar. Tehran: Amirkabir.
Shahabadi, Jahangir. (2005). Gol o Morgh (Dariche-i bar Zibashinasi-ye Irani). Tehran: Khorshid.
Shayeq, Alireza. (2015). Proceedings of the Conference on Khorasan’s Role in the Flourishing of Islamic Art. Mashhad: Ferdows Higher Education Institute.